Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
I paint this scene about once a year, it’s always fun. For this version I used Golden So Flat acrylics—they’re basically acrylic gouache equivalent paints without any sheen. I used the following colors: alizarin crimson permanent, ultramarine, cadmium yellow hue, yellow ochre and burnt Sienna, along with some leftover grey on my palette.
A couple of notes on prints:
Fine art prints on 100% cotton rag, acid-free paper offers a velvet surface for accurate, detailed prints, made with archival inks. Prints have a white border around the artwork and are unframed.
Canvas prints on archival-grade canvas, mounted on 1.5 inch stretchers with sides painted black for a formal look, ready to hang on walls.
I paint this scene about once a year, it’s always fun. For this version I used Golden So Flat acrylics—they’re basically acrylic gouache equivalent paints without any sheen. I used the following colors: alizarin crimson permanent, ultramarine, cadmium yellow hue, yellow ochre and burnt Sienna, along with some leftover grey on my palette.
A couple of notes on prints:
Fine art prints on 100% cotton rag, acid-free paper offers a velvet surface for accurate, detailed prints, made with archival inks. Prints have a white border around the artwork and are unframed.
Canvas prints on archival-grade canvas, mounted on 1.5 inch stretchers with sides painted black for a formal look, ready to hang on walls.